Continuous β steady source while you set the mixer or turn the SENS
trimmer.
Burst + stopwatch β plays the source for the chosen time,
then goes hard-silent and counts up, so you can time how long the room must
stay quiet before playback returns (the DELAY trimmer, 5β50 s).
The RDL ST-ACR2 trigger circuit is band-pass filtered for a speech-like
spectrum:
speech-band noise is the most realistic stand-in for
gallery chatter; the pure tones are for tracing signal through the mixer
(visible on the Mackie meters via channel 1 SOLO). Pair with the free
NIOSH Sound Level Meter app on a second phone to log the SPL each
setting corresponds to.
Gallery chatter β a five-minute crowd-murmur loop for filmed
demonstrations: its loudest passages match the other sources' level, so at
a given Level its swells trigger jail the way real conversation does, and
its lulls hand the stage to the DELAY. Loads on first use (~3.5 MB β
open it once on Wi-Fi beforehand). Demonstrate with chatter; calibrate
with speech-band noise.
How the sources compare. At a given Level, the tones, warble, and
speech-band noise deliver
equal RMS signal voltage (full pink sits
~1.5 dB lower). That equality holds exactly for
wired (bench) use.
Played through a phone
speaker, low-frequency sources β the 300 Hz
tone and full pink β will read far lower on an SPL meter, because small
speakers can't reproduce them; that's physics, not miscalibration. For
acoustic work, treat
speech-band noise as the reference source
(1 kHz sine tracks it within a few dB), and let the SPL meter be ground
truth. The Level control is exact in dB either way: β6 dB is always half
the voltage.
π
Restoration Plan
Β·
Bench Certification
Β·
SENS Re-Set
Β· v5.3 Β· 2026-09-01